London MCM Expo May 2012: Reflections

May 28, 2012

Phew, that was quite the weekend! Besides last year’s Platform Expo in Hull this was my first real convention I’ve attended and certainly the first time I’ve ever sold any work. It’s been both exhilarating and daunting in equal measure, more than anything though it’s most definitely been worthwhile.

In the end I sold 10 copies of Branch, with the majority of purchases being made on Saturday – by far the busiest day – which going on other people’s tables and what I’ve been told is pretty decent for a first timer. Financially speaking this doesn’t even equate to me breaking even but quite honestly I’m happy enough that there was interest in Branch, that I got constructive feedback and met like-minded folks with the same passion for comics. As it is I can always sell my spare stock another time and recoup the costs in the longterm.

I could rave on about all the cool things I saw or the weird and wonderful cosplay in abundance but to keep things concise and critical it’s probably best that I reflect on what I did right, what I did wrong and what I can do better next time.

Obvious as it may sound I think the lower pricing helped convince more customers, giving them the extra nudge where they otherwise might not of purchased. At £4 and £3.50 where I discounted I was hardly raking it in but most people are fairly cautious of unknown quantities and if there’s less to gamble they’ll be more willing to take the plunge. Call it optimistic but if I can interest more readers now then perhaps I can raise the price slightly without driving them away.

In terms of presentation meanwhile I was pretty humble but I think I made the most of what I had. During set up on Friday I met Chris/Ushio who I collaborated with on the Six anthology – we’ve been in contact for a few years but hadn’t previously met in person till now – anyway, besides being as nice a guy offline as on he gave me a few pointers, specifically suggesting I leave a copy or two of Branch open to read. This was definitely a good move as the contents seemed to go down better than the cover – too grim? – while later my friend/volunteer Nikita opened one on page 7’s cityscape which seemed to impress a few.

The direct feedback I received was largely positive, with most praising linework, use of colour and the general style. There was some understandable scepticism over the ‘to be continued’ conclusion but most who read through didn’t seem as bothered by the slow pacing and build up as I might have thought. I sincerely doubt anyone was blown away but it was uplifting that people urged me to continue and wanted to know when I’d back.

An additional offshoot of all this was getting a stronger sense of exactly who my niche audience is, I’ve only vaguely mentioned it to be  somewhere in the young adult SF crowd upwards before so it was interesting to see exactly who was buying. If you’ll forgive me generalizing slightly, most of my buyers were older men – likely no one under 20 – suggesting I am indeed on target.

It might sound a little condescending but I feel the content of the storyline rules out children for the most part while the majority of teenagers are likely to want something with more action, comedy and faster pacing. Maybe it sounds like I’m stereotyping, but I didn’t have much interest in film noir, detective fiction or cyberpunk until I was at least 17 and the readers are always welcome to prove me wrong :P

On the downside I felt that my chosen genre may be in a bit of a slump at the moment. Fantasy, superheroes and steampunk were all dominant at the Expo with the latter’s romanticism of technology being especially at odds with the cynical portrayal in cyberpunk. That’s not to say I don’t love these genres respectively but I did feel like it might be the wrong time and place for sci-fi dystopias; I got a palpable sense of people searching for fun and optimism rather than gloom and angst. It’s not like I’m going to change Branch into cheerful magic-adventure anytime soon, but it does present an obstacle I should give serious thought to in future.

There were exceptions to this formula such as Twisted Dark and Romantically Apocalyptic which seemed to do good business however they were well established with impressive displays to boot, which neatly brings me to my weakest area: presentation. Right from the off I knew I was outgunned since more than half the tables had banners, postcards, badges and stands; you literally couldn’t miss them. I meanwhile showed up with a table-cloth, my first issue and a modest A5 pricing sign. To make one of my stupid analogies, it was like being a mouse amongst elephants. Big elephants, wearing sparklers and wielding boom boxes playing loud “UNTZ” music…

Even in retrospect I know I wouldn’t have had the time or money to get something like an 8ft banner made for Branch but there are plenty of smaller things I could have done and certainly will do next time I attend a convention.

First and foremost I need to get some business cards, they’re a nice compromise for people who are unwilling to spend money on a comic but are still interested in your work and want to find out more. While I did write this blog down for plenty of people, having something to casually grab without a fuss is definitely preferable and likely to draw more attention in the long run, also peripherals such as badges and postcards could also give my table more substance and alternatives for hesitant customers. Even if I can’t get a banner, building a smaller display of some sort could help catch people’s eye and a stand to prop my comics up on would make them more visible at a distance as opposed to being flat on the table.

There are other matters too such as whether I should adopt a company name and what it might be, starting a proper website and sorting out a possible internet store but they’re really things I’ll need a while longer to mull over and talk about in other posts; right now I want to make good on the momentum and boost of inspiration the Expo has given me and get back to work.

My heartfelt thanks to everyone who bought a copy of Branch, talked with me, helped me out, offered me veteran advice or sold me their work at the Expo. I had a great time :)


Expo A GoGo

May 23, 2012

Well, looks like I’m all set for London’s MCM Expo this weekend!

Not that I didn’t get a few scares preparing. I received my 30 issues from the printer today seemingly without incident and checking the top batch found them to be satisfactory; I very nearly packed them on the assumption they would all be the same but fortunately my characteristic paranoia kicked in and I decided to do a thorough examination for peace of mind.

Ever seen one of those movies where someone gets a briefcase full of money and checks the top layer only to later discover the bottom notes are newspaper? Turns out the last 13 copies – of course it would be 13 – had been assembled in the wrong order with a repeated page to boot. Naturally I wasn’t too pleased discovering this and while I didn’t exactly launch into a gangster rampage I was dialling the printer within seconds.

I won’t stoop to naming and shaming them here however as they were more than reasonable about the problem; besides having reprints/rearrangements ready within a couple of hours they also threw in a couple of extra copies as an apology, not really a matter worth holding a grudge over, though an important lesson in being thorough – with print jobs and briefcases of money…

Anyway, this first issue may be a rather modest little booklet but it’s still thrilling to see Branch printed professionally for the first time and most of it has made the transfer from monitor to page rather nicely.

For anyone who happens to be at the Expo and wants to find me (and my work) I’ll be in Artists’ Alley at table F3, for all the rest of you who can’t make it: wish me luck ;)


Final Life Drawing Class

April 25, 2012

‘Final’ probably makes it sound too extreme – like I’m going to the moon – either way, today’s session will be my last at the college.

I couldn’t say exactly what kind of impact these classes have had on the quality of my work, but it seems a fair bet they’ve been a positive influence on some level. If nothing else I thoroughly enjoyed them and it seems only fair that I thank our tutor Melodie for keeping them varied and challenging along with our model Cherie for being so incredibly patient with those poses.

I’d definitely like to keep doing life drawing in future if at all possible but with the MCM Expo bearing down upon me at terrifying speed and the end of MA within sight it seems likely the it won’t be happening for a good few months…


Ictus Ergo Sum

March 26, 2012

Move along, nothing to see here…


Salvaging a trip to London

March 21, 2012

In an ideal world this is where I would  have written about revisiting Orbital comics to see their current exhibition ‘Stripped‘; a collection of artworks ‘celebrating the iconography of comics as well as physical objects themselves‘.  However when I visited London yesterday it seemed luck wasn’t on my side.

After being mercilessly shortchanged by the underground’s Oyster system – a beast I dare not argue with – arriving at Orbital I puzzlingly found the exhibition barricaded off with staff milling around inside sorting a pile of comics. Questioning one I was told that they had a delivery in and would as such be closing the area for the day while it was used as an improvised stock room (either that or the stock room was being used as an improvised exhibition space). I’ve generally got nothing against Orbital Comics; they all seem nice enough and they’re usually cheaper than places like Forbidden Planet, but you’ll forgive me if I extend a most sarcastic thankyou to them for not bothering to mention the exhibition’s temporary closure on their website.

Anyway, wanting to make the best of a bad thing I strolled a short distance to the British Museum to cool off and besides rediscovering my childhood fear of Egyptian mummies, found something of at least some relevance to my work.

The museum had a small but distinctly offbeat exhibit of art and drawings from the Japanese manga Professor Munakata; a crime/mystery solving affair featuring the titular character – a caped detective figure who I can’t unsee as Oliver Reed – in a one-off story to foil a theft at the British Museum.

The creator and artist Hoshino Yukinobu actually collaborated with the museum to research the setting for this and as such was granted full access around the place, the resulting details of the exhibits in his drawings being astoundingly accurate. Putting aside this novelty though, looking at the displayed sketches and pages in various stages of production gave me some interesting insight into the process by which they are made; Yukinobu, a professional and industry veteran of over 30 years clearly knows his way around a comic displaying crisp efficiency in character design along with precise background work and compelling layouts. Aesthetically speaking his work also struck me as reminiscent to Naoki Urasawa, something which can only be a good thing given the quality of the latter’s output.

The manga’s contents were clearly more adventure mystery than gumshoe or noirish (let alone hard sci-fi) and given the largely digital nature of my work the far more traditional approach of a typical ‘mangaka‘ is a world away from my own technique. Regardless, it felt like a good experience all the same for the sake of seeing things differently and being reminded once again of how diverse the comics medium is, while as with just about anything comics related there are little touches which are of almost universal relevance to any approach.

Not a complete waste then! I’m back in London next week for a Graphic Art Fair at Somerset House so I may give Orbital’s exhibit another shot then, between that and forgetting the mummies’ terrifying shrivelled faces everything should be good…